But anyone who has observed the sad spectacle of elephants made to paint or perform circus tricks in Thailand can read the signs: Mahouts are standing right near the elephants ear, using sharp pins or bullhooks, or pulling the sensitive bodypart with their fingers. His job is to keep the animal in check and prevent it from leaving the scene, using chains, sticks or bullhooks.Īn inexperienced viewer will hardly notice the tell-tale moments. But now and again when an elephant moves unexpectedly, a mahout - who is standing out of sight on the other side of the elephant - briefly comes into view. The camera perspective is usually chosen so that the mahouts are not visible in the picture.
PAUL DISPERSIO PIANIST FREE
Looking more closely it becomes obvious, that the elephants do not act as concert audience out of their own free will. What is happening there is unfortunately not musical therapy for traumatised pachyderms as the videos suggest, but a nasty commercial stunt – and, above all, plain abuse. But there is a truly dark side to the many videos circulating in social media, showing how the British pianist Paul Barton plays well-known classical pieces for elephants. The gentle giants are famous for their sensitivity and sophistication, after all. Thank you for your patience!ĭo elephants love Bach? The idea of elephants enjoying classical music somehow appeals to us. Many people have been asking for a response, which is now posted here. Recently Paul Barton has made two videos as a reaction to the text below. Pabst also wrote a Trio in A major for piano, violin and cello, dedicated to Anton Rubinstein.14 April 2021. A second recording was released by the Danacord label in 2008, with Oleg Marshev as the soloist. This live recording was used for the world premiere CD release of Pavel Pabst's Piano Concerto on Cameo Classics CC9033CD. A live recording was made by producer David Kent-Watson, and filmed for the documentary 'The Lost Concerto'. On 19 April 2005, 120 years after its premiere, Pabst's 'Lost Concerto' was performed by Panagiotis Trochopoulos at a concert given in Minsk by the Belarusian State Academic Symphony Orchestra, conducted by Marius Stravinsky.
PAUL DISPERSIO PIANIST FULL
Pabst's Piano Concerto is a virtuoso showpiece in three movements, lasting 33 minutes, full of wonderful tunes and a fiendishly difficult but lyrical solo part. The score was then lost, but has since been discovered. Petersburg and Moscow, with Pabst as soloist, and with Anton Rubinstein conducting. In 1885 he wrote his only orchestral work, the Piano Concerto in E-flat major. His funeral wreath from the Russian Musical Society contained the epitaph: "To Honored Artist - Indefatigable Professor - Hardly simply a man". Paul Pabst died suddenly in 1897 in Moscow and was buried at Vvedenskoye Cemetery. Pabst's piano transcriptions were admired by the most outstanding pianists of the time, and were considered to be on a par with those by Liszt himself. He also played the piano concerto by Anton Arensky, and was the soloist at its premiere. Until 2005 Pabst was known as a composer only for his piano transcriptions of the music for the ballet and opera by Tchaikovsky. He and the young Sergei Rachmaninoff performed many concerts together. Pabst was considered one of the greatest pianists of his day, admired even by the great Franz Liszt. Pabst's students carried the great tradition of Russian romanticism into the 20th century.
In 1884, Tchaikovsky appointed Pabst to edit his piano works for publication. Pyotr Ilyich Tchaikovsky frequently attended concerts given by Pabst, and used to refer to Pavel, as he was then known, as "a pianist of divine elegance", and "a pianist from God". Amongst his pupils were Sergei Lyapunov, Nikolai Medtner and Alexander Goldenweiser. He was appointed Professor of Piano at the Conservatory in 1881 after Rubinstein's death, and taught there for the rest of his life. In Russia he was known as Pavel Augustovich Pabst. In the autumn of 1878 he accepted an invitation from Nikolai Rubinstein to teach at the Moscow Imperial Conservatory. Pabst moved to Riga, then in the Russian Empire, as an accomplished pianist in 1875. The young Pabst had a fortuitous meeting with Anton Rubinstein when he travelled to Königsberg as overseer of cultural programmes there. He studied piano with his father and then in Vienna with Anton Door and in Weimar with Franz Liszt. Pabst was born Christian Georg Paul Pabst in 1854, into a family of musicians in the capital of East Prussia, Königsberg (now Kaliningrad).
0 kommentar(er)
